Anurag Kashyap Questions Theatre Priorities as Hollywood Horror Film Dominates Screens

Filmmaker Anurag Kashyap has once again sparked a conversation around the challenges faced by Indian cinema at the box office. The director, whose latest film Bandar is currently running in theatres, expressed disappointment over the way Indian films are being sidelined in favour of big Hollywood releases, particularly the horror blockbuster Obsession.

Taking to Instagram Stories, Kashyap openly criticised the lack of adequate show timings and screen allocation for domestic films. According to the filmmaker, several Indian releases are struggling to secure even basic visibility in theatres while Obsession continues to dominate multiplex schedules with multiple daily shows.

The issue comes at a time when theatres are packed with releases from different genres and industries. Films like Main Vaapas Aaunga, Governor, Hai Jawani Toh Ishq Hona Hai, Bharat Bhaagya Viddhaata, Haunted 3D: Echoes of the Past, Heer Sara, and Backrooms are all competing for audience attention alongside international titles.

Kashyap acknowledged the popularity of Obsession but argued that Indian cinema deserves stronger support from exhibitors. In his post, he pointed out that while the Hollywood horror film continues to enjoy six to seven shows in Bengaluru theatres, several Indian films are being restricted to single morning shows or, in some cases, receiving no screenings at all.

The filmmaker wrote that if local films are not given better showcasing and visibility, it becomes difficult for the domestic film industry to grow sustainably. His comments have resonated with many independent filmmakers and cinema lovers who have often raised concerns about uneven screen distribution in multiplex chains.

Kashyap specifically mentioned films like Main Vaapas Aaunga, Governor, and Sing Gheetam, claiming that these titles were receiving minimal exposure despite being fresh theatrical releases. His remarks have once again highlighted the ongoing debate between commercial priorities and the need to support diverse storytelling within Indian cinema.

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Meanwhile, Kashyap’s own film Bandar has earned around Rs 4 crore in its first week. The film tells the story of a troubled actor-musician accused of rape while insisting that the relationship was consensual. Known for exploring morally complex narratives, Kashyap’s latest project has generated conversation for its dark and layered storytelling.

On the other hand, Obsession has emerged as one of the biggest international hits in India this year. The horror film, which revolves around a young boy whose wish for obsessive love turns terrifyingly real, has already collected nearly Rs 60 crore at the Indian box office.

As theatres continue balancing blockbuster business with smaller releases, Kashyap’s comments have reopened an important discussion: should Indian cinemas prioritise local storytelling more aggressively, even when global titles are pulling bigger crowds?

The debate is likely to continue as more filmmakers speak up about the growing competition for screens in an increasingly crowded theatrical market.