‘Baby Do Die Do’ review: Huma Qureshi shines, but this assassin thriller reveals its biggest twists far too early

Huma Qureshi headlines Baby Do Die Do, a psychological action thriller that attempts to tell a deeply personal story through the lens of an assassin haunted by her past. Directed by Nachiket Samant, the film chooses an intimate narrative over grand-scale action, but its promising concept struggles under the weight of predictable writing.

The story revolves around Baby Karmarkar, a contract killer whose traumatic childhood shapes her into a deadly assassin. After losing her twin sister, Baby is raised by Papa, played by Chunky Panday, who trains her to become a professional hitwoman working under the mysterious Zafar, portrayed by Sikandar Kher.

Complicating her dangerous life is her unsuspecting neighbour Siddhu, played by Rachit Singh, who develops feelings for Baby without knowing her secret identity. As their lives become intertwined, the narrative gradually unfolds into a crime thriller with emotional undertones.

One of the film’s strongest ideas is its portrayal of a deaf and mute assassin who is emotionally haunted by memories of her murdered twin sister. It is a unique concept that immediately captures attention and offers plenty of room for psychological depth.

Visually, the film embraces a stylised approach, using colourful neon-lit Mumbai backdrops and symbolic imagery. While these creative choices occasionally add flair, they often feel more decorative than meaningful, giving the impression that style sometimes takes precedence over substance.

The biggest drawback, however, lies in the screenplay. Instead of carefully building suspense, the narrative reveals several important clues much earlier than expected. As a result, many of the film’s major twists become easy to anticipate, reducing the impact of key emotional and dramatic moments.

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The pace improves noticeably in the second half, bringing greater urgency to the story. However, several plot developments rely on convenient writing, making crucial revelations feel less satisfying than they should.

Despite the screenplay’s shortcomings, Huma Qureshi delivers a sincere and emotionally grounded performance. She successfully conveys Baby’s pain, vulnerability and inner conflict, making audiences invest in the character even when the script falters.

Rachit Singh brings warmth and innocence to Siddhu, while Seema Pahwa provides a dependable performance as the investigating officer. Sikandar Kher is effective as the film’s antagonist, adding intensity whenever he appears on screen.

A special appearance by Saqib Saleem also leaves a lasting impression, adding another interesting layer to the film despite limited screen time.

Overall, Baby Do Die Do deserves credit for attempting something different within the action-thriller genre. Rather than relying solely on large-scale action sequences, it focuses on emotional trauma, personal relationships and psychological conflict.

Unfortunately, thrillers thrive on unpredictability, and Baby Do Die Do loses much of its edge by revealing too many of its secrets before the climax. Strong performances particularly from Huma Qureshi keep the film engaging, but uneven writing prevents it from becoming the gripping thriller it had the potential to be.